History of fur in fashion - ITS: (2024)

In 1929, the first line of a Vogue feature entitled “The Fur Story of 1929” went like this: “Go without jewels, pocket money, or every-day clothes, Vogue advises, but never try to scrimp on fur. For the fur you wear will reveal to everyone the kind of woman you are and the kind of life you lead.” It gives a very clear idea of what kind of status symbol owing and wearing fur used to be. Before its decline, mainly due to animal rights movements but also to the introduction of its fake counterparts, fur had been a symbol of wealth, even aristocracy, for many centuries.

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Mankind has worn fur and leather since its earliest times out of the African cradle to protect from the colder weather conditions as well as from harm. Warmth and durability, very practical aspects which no other material could provide at the time, made them unrenounceable not just for clothing, but a wide variety of other practical uses like shoes, water flasks, helmets, bags and much, much more. To this day, tribes like the Inuit who live in some of the harshest weather conditions on the planet wouldn’t be able to survive without them: their fur garments are so precious they wear them all their lives, often passing them on from one generation to the other.


Sourcing fur and leather would be complicated. You would either have to be a hunter yourself, adding an education in the knowledge of fur and leather treatment after having killed your animal of choice, or have a position of wealth where a hunter would be at your service. Thus, owing fur or leather very soon turned into a representation of wealth.
Different kinds of fur could indicate different social status. In ancient Egypt for instance a leopard skin or lion skin could be worn only by kings or high priests performing ceremony.

Over in Europe, chinchilla, mink, ermine and sable were exclusive to royalty, nobility and high ranking clergy. In some early societies fur, leather and its by-products would acquire a mystical or spiritual power if worn by hunters, soldiers or the ruling classes. In short, fur soon became an indicator of social stratifications and it remained such until the 1980s when the voice of animal rights movements questioning the ethics of such products made itself stronger, with fake fur often providing a valuable option.

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Better and more practical options had appeared on the market way before the animal rights movements raised their voices. Still, the status symbol making fur a luxury good for the wealthy remained. And fortunes have been made over the centuries from the exploitation of fur-bearing animals to satisfy our needs and vanities, even bringing certain species to extinction. Among the first to gain control of the fur market were the Germans since they could easily access the finest Russian furs, particularly ermine which was THE symbol of royalty and nobility. The discovery of the so called “new world”, North America, opened the doors to an almost unlimited supply. Between the 17th and 18th centuries west European manufacturers of fur became incredibly rich. North America remained king in the fur market until fur farms began filling the void. Today, over three quarters of the fur we use comes from farmed animals.

Technology of course radically changed things, as it would do in so many other markets. In the last century advancements in processing pelts made fur and leather available to the masses. This changed fur’s status symbol connotation. Now you weren’t considered wealthy wearing any kind of fur. You were if you wore specific kinds of fur…

It is at this point that fashion designers step in. Until the 19th century designers were hardly perceived as celebrities. But in the late 1800s French designers like Paul Poiret and Jeanne Paquin stepped in the scene, using fur with regularity. They had already established them as celebrities and their use of fur (followed by countless other designers up until today) meant another boost for a fur market which was already slowing down. Fake furs had already appeared on the market as a cheap alternative for women who desperately wanted a real fur garment but could not afford it. In 1924, a fur expert told the Times magazine that “whenever fur becomes fashionable the trade hunts for a substitute, because the girl in Sixth Avenue wants to look like the fashionable woman on the Fifth, and we must help her find her way.” Many say that despite the animal rights movements, it was the cheaper option and overall good quality of its fake counterparts that challenged the real fur market. Apparently, customers were turning their heads to ethics, but not their wallets.

Today, much of the debate on the ethics of fur and leather use still remains. Fur in particular still maintains its position of status symbol. Luckily, organizations likePETA – People for the Ethical Treatment of Animalsare doing a lot establishing and protecting the rights of animals through celebrated ads like the “When you buy, you become part of it” campaign of which we include a few examples here. From a functional point of view, synthetic materials often outscore fur and leather by far. But are they more sustainable? Isn’t there a very strong use of chemical processes in the development of nylons, water resistant materials like gore-tex and others? It is a complicated issue. We at ITS have always asked contestants to use fake fur if possible, demanding from finalists they replace real fur with fake alternatives. We’ve never asked to avoid the use of leather by the way, and tanning processes use polluting chemicals which make leathers far less ethical than furs… Animal rights activists, vegetarians and vegans rightly argue that the use of leather is unjustifiable, encouraging the use of synthetic leathers. Yet again, what is the burden carried in the word “synthetic”? The question remains. What is your opinion?

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As an enthusiast deeply immersed in the realms of fashion history, material science, and ethical considerations, I can attest to the multifaceted nature of the discourse surrounding fur and leather. The article you provided delves into the historical evolution of fur as a status symbol, its decline due to ethical concerns and the rise of synthetic alternatives, and the ongoing ethical debates regarding the use of both fur and leather in contemporary fashion.

The historical context presented in the article aligns with my knowledge base. Fur, traditionally a symbol of wealth and social status, was not only a practical necessity for warmth but also a marker of privilege. The differentiation of fur types signifying social hierarchy, as seen in ancient Egypt or Europe, reflects the cultural and symbolic significance attached to these materials.

The article rightly highlights the impact of animal rights movements on the decline of fur's popularity. It underscores the ethical concerns associated with the exploitation of fur-bearing animals and the subsequent rise of fake fur as a viable alternative. The technological advancements in fur and leather processing mentioned in the article have indeed democratized access to these materials, altering their status from exclusive luxury to more widespread availability.

Fashion designers, particularly in the late 1800s, played a pivotal role in shaping perceptions of fur. The mention of French designers like Paul Poiret and Jeanne Paquin emphasizes their influence in rejuvenating the fur market at a time when it was facing challenges. The article also sheds light on the economic dynamics, with fur farms replacing the dominance of North America in the fur market.

The ethical debate surrounding fur and leather use is a crucial aspect, and the article appropriately brings attention to organizations like PETA that advocate for the ethical treatment of animals. The mention of PETA's campaigns adds a contemporary dimension to the discourse, showcasing how activism intersects with fashion.

The article raises a pertinent question about the sustainability of synthetic materials compared to fur and leather. It acknowledges the environmental concerns associated with synthetic materials, such as nylons and gore-tex, introducing a layer of complexity to the ethical dilemma. The discussion on the use of chemical processes in synthetic materials aligns with current concerns about the environmental impact of fashion choices.

In conclusion, the article provides a comprehensive overview of the historical, ethical, and environmental dimensions of fur and leather use in fashion. The intersection of tradition, technological advancements, ethical considerations, and sustainability concerns makes this a complex and ongoing dialogue within the fashion industry.

History of fur in fashion - ITS: (2024)
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