TV series fonts: a winning combination | Pixartprinting (2024)

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Giovanni Blandino Published on 4/3/2019

TV series fonts: a winning combination | Pixartprinting (1)

What makes a successful TV series? An original idea? Good script-writing? Great actors? Being ahead of the times? It’s hard to say. But there is one thing that all hit TV series have in common: they pull viewers into another world. And they start with the opening credits.

Today we’re going to talk about the typographic art and fascinating facts behind some of the most famous TV shows of all time. From the montage that takes us into the town of Twin Peaks to the periodic table of Breaking Bad, via the map of Game of Thrones and the minor typographic masterpiece in Stranger Things (the latter two will return to our screens shortly).

But a word of warning: it’ll be hard to resist binge-watching these shows again once you’ve read this!

Game of Thrones

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Eagerly awaited for months and months, it will finally reach us in April: the eighth and final season of one of the most popular and talked-about TV series of recent times – Game of Thrones.

As you may know, in 2011, the year its first season was aired, Game of Thrones won the Emmy award for best title sequence. But what you probably don’t know is that the titles of one of the most revolutionary fantasy series of all time used a modified version of one of the world’s most common fonts: Trajan.

As its name suggests, the font’s origins lie in the inscription at the base of Trajan’s Column in Rome, erected by Emperor Trajan in the second century AD to celebrate his victory in the Dacian Wars. The modern version of the font was created by designer Carol Twombly who redesigned the typeface in 1989 for Adobe.

Epic, elegant, powerful: perhaps these are the qualities that have led many – perhaps too many – films and blockbusters to use Trajan on their posters and DVD covers (so much so that it’s irritated some in the business). Regardless, the Game of Thrones logo perfectly encapsulates the atmosphere of the series. The updated version of Trajan accentuates the epic nature of the original. It’s no coincidence that the Game of Thrones font has been used several times in political messages by Donald Trump – which hasn’t gone down well with HBO.

Breaking Bad

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Released in the US in 2008, the series created by Vince Gilligan remains a high watermark in television thanks to its masterful plot and character development. The story in four words? Someone good turns bad. OK, so maybe it’s not quite that simple, but you get the gist.

The main character’s narrative arc is foreshadowed by the opening credits, with judicious use of two fonts: Arial MT Bold and Bundy.

Arial is one of the most widely distributed fonts in the world (it’s even included with Windows): it features in the Breaking Bad credits as the symbols of two elements from the periodic table (bromine and barium), which are used for the first two letters of the words in the series’ title. Indeed, at the beginning of the series, the main character, Walter White, is a humble chemistry teacher. The Bundy font, which completes the title, shows us how White’s life disintegrates and the dark side of his personality takes over – to the delight of viewers.

Twin Peaks

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From one masterpiece to another: Twin Peaks. For many of us, the mere mention of this name sends shivers down the spine.

The opening episode of the cult series created by Mark Frost and David Lynch first aired in the United States in April 1990. The credits feature two unforgettable elements: Angelo Badalamenti’s theme tune and the title lettering. Both have similar characteristics, accentuated by the everyday images in the background: there’s something peaceful and folksy about them, but there’s also something deeply unsettling. The font used for the credits is ICT Avant Garde Gothic. But the acid green outline of the lettering undercuts all the peacefulness conveyed therein.

https://www.youtube.com/watch?v=i7d0Lm_31BE

In an interview, Mark Frost described the first time that he saw the title sequence together with the theme tune created by Lynch and Badalamenti. Stunned, he thought to himself: “This is going to work!”

Stranger Things

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We finish with a small masterpiece in graphic design and typography: the Stranger Things credits. No true fan of the series could ever skip them.

And that’s because they do what any great title sequence should: make us forget that we’re in our living room in front of the TV and take us to another world… the sci-fi eighties of Stranger Things!

The typeface used for the actors’ names is ITC Avant Garde (from the same font family used for Twin Peaks, and the similarities don’t end there). As the seconds tick by, the series’ famous logo looms into view. The font used for the title is ITC Benguiat, one of many created by Ed Benguiat, the influential veteran type designer – now 91 – who created over 600 fonts in his career, including the Avant Garde family, and many cinematic fonts, like the typeface used for Planet of the Apes.

The Stranger Things title was created by design agency Imaginary Forces, who were given a very specific brief: to recreate an eighties sci-fi atmosphere which was also modern. To help them, the show’s creators, the Duffer brothers, provided a dozen or so book covers, which included many Stephen King novels.

We all know the end result and we won’t have to wait much longer for the third season, due in July 2019.

What do you think? Which of these four main titles work best?

TV series fonts: a winning combination | Pixartprinting (2024)

FAQs

What is one of the fonts to avoid? ›

Some of the worst typefaces, like Jokerman, are nearly universally disliked because they carry a ton of useless flair that distracts viewers from the text they're trying to read. Another famously unpopular, ugly font, Bleeding Cowboys, is disliked by designers because of how busy and unpredictable it is.

What is the most favored font? ›

Helvetica

Helvetica, it's safe to presume, is the most popular and widely used font in the world.

What is font combinations? ›

The aim of font pairing is to choose different fonts (usually no more than 3) that create contrast in a harmonizing way. That's why, when it comes to font pairing, opposites attract. Without further ado, here's what you need to know about serif, sans serif, decorative, and script fonts.

What are the 3 categories that most fonts fit into? ›

Typography Basics

As a general rule, serif and sans serif typefaces are used for either body copy or headlines (including titles, logos, etc.), while script and display typefaces are only used for headlines.

What is the new font everyone is using? ›

After 17 years of Calibri as Word's default typeface, many users suddenly found themselves typing in a new typeface called Aptos. The change is also affecting the look of PowerPoint, Outlook and Excel. Letters are letters, but for designers and typography fans, they matter a lot.

What is the best font for seniors to read? ›

A few typefaces that meet these requirements are: (san-serif) Helvetica, Arial, Futura, Gill Sans, Avant Garde, Trebuchet, Verdana, Franklin Gothic, VAG Rounded, Frutiger, and (serif) Garamond, Century Schoolbook, Glypha.

What is one rule when combining fonts? ›

A rule of thumb indicates pairing sans serif and serif fonts for disparity. However, you can still choose a font style from the same font family if they have distinguishable features. If you pair fonts that are too similar, you won't establish hierarchy and won't be able to distinguish one from the other.

What is the two font rule? ›

There is a typographic rule of thumb for combining fonts from unrelated families: The more dissimilar the type designs, the better the mix. The rule, however, carries a caveat: one typeface should take the lead, and the other should be a supporting player. Two highly distinctive designs rarely combine well.

How to pick two fonts that go together? ›

The easiest way to tell is with your naked eye, but if you like to live by concrete rules, your best bet is to choose typefaces that have a mix of elements in common and elements that contrast. A great rule of thumb is to check the proportions and x-height (the height of the “x” character in each font).

What is the rule of three font? ›

In general, you should only use a maximum of three fonts per design: the title, the subhead, and the body of the text. You get an exception if your design text is long.

What is the most popular typeface? ›

Helvetica remains the world's most popular font. It's best known for signage and when designing business forms, like invoices or receipts. It's effortless to read because its large x-height makes it look larger than it is. That makes it a great choice when customers need to use very fine print.

What makes a bad font? ›

Failure to meet the purpose: Fonts used in comic books and movie posters aren't ideal for company letter head, for instance. Poor spacing: Poor spacing is a telltale sign of bad typography. Not only does it compromise readability, but it can also make your brand look ill-conceived and underdeveloped.

What font is overused? ›

Times New Roman

Originally created in 1929 for the Times, the British newspaper, it became the new default font for Microsoft and has since then been overused in every walk of life. Hard to read and overused is a bad combination for the lazy and disinclined. Move away from the defaults, there is so much more out there.

What is the safest font? ›

Best Web Safe Fonts for HTML and CSS
  • Arial (sans-serif)
  • Verdana (sans-serif)
  • Tahoma (sans-serif)
  • Trebuchet MS (sans-serif)
  • Times New Roman (serif)
  • Georgia (serif)
  • Garamond (serif)
  • Courier New (monospace)

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