What lens does Peter Turnley use? (2023)

What lens does Peter Turnley use?

I have always chosen very fast lenses and generally have worked with the 28mm and 35mm focal lengths that allow a sense of intimacy with my subjects as well as establishing a context of the environment surrounding a visual story.

I primarily use a digital M9 with the 35 mm f/1.4 Summilux ASPH. lens. Q: That's a fantastic lens.

For portraits, she has said she likes to use the 55mm (which is the first lens she owned) and 140mm on the Mamiya (the equivalent of 70mm in 35mm photography). She has called the Sekor 140mm F4. 5 L/A Macro her favorite lens to use.

Camera: Leica Rangefinder Lens: Wide-Angle (21mm-28mm)

Klein experimented with a range of lenses and focal lengths, but focused on wide-angle more than any. 28mm was his preferred lens, partly because wider lenses were more rare early in his career, but he's gone as wide as 21mm.

Early on, I discovered that Cartier-Bresson used a Leica camera, and in 1972, with money earned from a highway construction job, I bought my first Leica M4, a 50th anniversary model, with a 50mm f/1.4 Summilux lens.

Webb uses a Leica rangefinder, usually with a 35mm lens. He has used both 28mm and 50mm before, but finds 35mm to be the perfect fit and balance between the two. He also used only Kodachrome color film for 30 years, up until it was discontinued.

35mm. 35mm is a classic focal length for many photojournalists and street photographers.

Born a gentleman and stubbornly set in his ways, Eggleston still uses a Leica camera with the custom-mounted f0. 95 Canon lens, and detests all things digital. He's a prolific artist, who by his own account, has taken over 1.5 million photographs.

In addition, he uses a 24-70mm lens, which he uses for 98% of his current work. These are the only items he'll have on him when he's walking the streets, meaning he's not weighed down by unnecessary accessories such as a tripod.

He's shooting with the Nikon F3 HP, which is an old, yet reliable, film camera. He's also using a 50mm prime lens.

What is William Klein known for?

William Klein (born April 19, 1928) is an American-born French photographer and filmmaker noted for his ironic approach to both media and his extensive use of unusual photographic techniques in the context of photojournalism and fashion photography.

For one thing, he doesn't always uses an iPhone to shoot the images he posts on his feed – “It's a mixture of iPhone and a Sony RX 100 camera,” he says, “but it seems like the convention is: if you're upfront about it, then you're not cheating, so I've been upfront about it.” Second, he's not a prolific user.

In the late 1940s, Haas switched from his medium format Rolleiflex to the smaller 35mm Leica rangefinder camera, which he used consistently for the rest of his career. Once he began working in color, he most often used Kodachrome, known for its rich, saturated colors.

Which prime lens is better 35mm or 50mm? The 35mm lens focal length is more versatile when shooting indoors for its wide field of view and capturing more scenery when traveling than the 50mm lens which is more zoomed-in making it difficult to use indoors but ideal for traditional, headshots and portraits.

When journalists need to create a portrait on-location, the 85mm lens does a better job of separating subject and background. The 85mm is a great portrait lens (because an environmental portrait is something journalists are also often called upon to do), but it's also a great smaller option for low-light work.

The short answer, and the easy way out is that an 85mm lens on a full frame camera is considered the ideal focal length for flattering portrait photos.

Eggleston has mostly been devoted to Canon and Leica rangefinders, but he has used other cameras over his career. Some of his cameras include a Leica M6, M3, and R5, a Canon VT, a Contax G2, a Pentax reflex, an Olympus Stylus Epic, a Mamiya 6×9, a Fuji GW690 6×9 and a Hassleblad.

he used traditional black and white, then colour neg and the colour slides and then went back to colour negs. He also used 35mm, medium format and large format and did some video. But it seems that the majority of his work was in colour neg or colour trannie with 35mm.

One may think he's addicted to be in dangerous situations, but he is a true photojournalist that gets in the mix and documents grim realities, even if it's a reminder that humanity can be lost on occasion. Nachtwey shoots with a Canon EOS-1Ds Mark II Digital Camera and Canon EOS-1V SLR film Camera.

I always have one or two camera bodies like the mirrorless Nikon Z611 or for some assignments, I'll use the D850 or D6. My go to lenses are the Nikkor 24–70mm, 2.8 lens, a prime lens for portraits like the 105mm, 1.4 lens.

What lens did Ansel Adams use?

What he referred to as “small format” was the 35mm (24mm x 36mm) frame size which has evolved into what we call “Full Frame” today. Most of Adams' 35mm work was in portraiture and he used countless different cameras in this format.

McCurry has since moved on to shooting digital, but in the analog era he shot with a Nikon F3 and one of his favorite film cameras was the unpretentious, straightforward manual metering Nikon FM2.

Taking our #1 spot for the best camera for photojournalism and street photography in 2021 is the Sony α9 II. There's a reason that the Associated Press chose to outfit it's entire global roster of photojournalists with the A9II in 2020, and it's the same reason the camera takes our top spot; Silent Electronic Shutter.

There's a reason few professionals use Leicas, and that's that the Leicas are not as good at producing professional-level shots as a DSLR. Almost any DSLR. In other words, if you must try a Leica, and you can easily afford it, go ahead.

Henri Cartier-Bresson

The most famous street photographer of all time is the French photographer Henri Cartier-Bresson (1908 – 2004). He is known for his candid photography and capturing the “decisive moment“. The decisive moment is the precise moment of action.

William Klein

William Klein's photography blurs the lines between raw, unfiltered critiques and classic beauty. His gritty, grainy, often blurred images of the 1950s would influence a generation of photographers, including Daido Moriyama. Klein never held back.

Leibovitz tries to emulate natural light as much as possible. She uses ambient light and adds a small key light on her subject, usually in the direction the natural light source is coming from. Adding too many lights to a room will often take away what the natural light offers.

Why is Annie Leibovitz famous? Annie Leibovitz is renowned for her dramatic, quirky, and iconic photographic portraits of celebrities. Her style is characterized by carefully staged settings, superb lighting, and use of vivid colour.

Famous photographers like Annie Leibovitz chooses to use a more muted 'dark and moody' style, she keeps the highlight and contrast down, usually using a large single artificial light source for dramatic affect.

What strobe does Annie Leibovitz use?

Take that same thoery and apply it to one strobes. The modification that lies in between the strobe and your subjects face is up to you. But, in the case of Annie Leibovitz, a 60" Photek Softlighter II proves to have worthy results.

Leibovitz went on record to say that her lens of choice was always “…the 35mm.

Leibovitz currently uses Canon DSLRs including the Canon EOS 5D Mark III and IV and Hasselblad digital cameras, but her favorite analog camera during the '80s and '90s was the Mamiya RZ67.

Annie Leibovitz's is best known for her portraiture and her unique ability to exaggerate and enhance the characteristics of her subjects. Iconic figures spanning celebrity, creative, and intellectual circles have sought to work with Leibovitz in admiration of her interpretive perspective.

On December 8, 1980, Annie Leibovitz took the most iconic photograph in rock 'n' roll history. Shot for Rolling Stone, the picture features artist Yoko Ono lying supine on a cream carpet, wearing blue jeans and a black, long-sleeved shirt.

Leibovitz attended the San Francisco Art Institute, where she studied painting with the intention of becoming an art teacher. At school, she had her first photography workshop and changed her major to photography. She was inspired by the work of Robert Frank and Henri Cartier-Bresson.