Live Aid – Today In Madonna History (2024)

On July 13 1985, Madonna performed at the Live Aid benefit concert at JFK Stadium, Philadelphia, PA.

Madonna’s set included Into The Groove, Holiday, and a brand new song that she had written with Patrick Leonard during The Virgin Tour, Love Makes The World Go Round. The latter song marked the first known songwriting collaboration in a partnership with Leonard that would prove to be long lasting and especially fruitful. The track would resurface, among other songs co-produced by the pair, on Madonna’s True Blue album a year later.

Madonna also joined the Thompson Twins on stage for a cover The Beatles’ Revolution.

On July 29 1985, Madonna and many of the performers from Live Aid appeared on the cover of People Magazine.

Music that moved the world sixteen years after Woodstock, Rock’s best and brightest gather on two continents to set new standards of good work—and good works.

Sequestered by location, security personnel and a multilayered credential system, the stars were free to enjoy one another’s company without too much interference from fans and other mortals. Madonna, looking a bit frightened despite a phalanx of guards, clung to the hand of her intended, the surly Sean Penn. Penn spent most of the concert either inside Madonna’s trailer or gazing at a video monitor in front of trailers being used by Robert Plant and Tom Petty. Madonna later relaxed enough to drape an arm around the shoulder of Bob Dylan, no slouch himself in the surly department. Hey, the lady knows what she likes.

On July 13 1985, Bette Midler introduced Madonna at Live Aid’s charity concert in Philadelphia:

“I want you to know I have no idea why I was asked to introduce this next act — because you all know, I am the soul of good taste and decorum. However we are thrilled to be able to introduce to you today a womanwhose name has been on everyone’s lips for the last six months. A woman who pulled herself up by her bra straps and has been known to let them down occasionally.”

Madonna was happy to tell the global audience of 1.9 billion viewers:“I ain’t taking off sh*t today.”

On July 13 1985, Madonna performed at the Live Aid benefit concert at JFK Stadium, Philadelphia, PA.

Madonna’s set included Into The Groove, Holiday, and a brand new song that she had written with Patrick Leonard during The Virgin Tour, Love Makes The World Go Round. The latter song marked the first known songwriting collaboration in a partnership with Leonard that would prove to be long lasting and especially fruitful. The track would resurface, among other songs co-produced by the pair, on Madonna’s True Blue album a year later.

Madonna also joined the Thompson Twins on stage for a cover The Beatles’ Revolution.

On July 13 1985, Bette Midler introduced Madonna at Live Aid’s charity concert in Philadelphia:

“I want you to know I have no idea why I was asked to introduce this next act — because you all know, I am the soul of good taste and decorum. However we are thrilled to be able to introduce to you today a womanwhose name has been on everyone’s lips for the last six months. A woman who pulled herself up by her bra straps and has been known to let them down occasionally.”

Madonna was happy to tell the global audience of 1.9 billion viewers:“I ain’t taking off sh*t today.”

On July 13 1985, Bette Midler introduced Madonna at Live Aid’s charity concert in Philadelphia:

“I want you to know I have no idea why I was asked to introduce this next act — because you all know, I am the soul of good taste and decorum. However we are thrilled to be able to introduce to you today a womanwhose name has been on everyone’s lips for the last six months. A woman who pulled herself up by her bra straps and has been known to let them down occasionally.”

Madonna was happy to tell the global audience of 1.9 billion viewers:“I ain’t taking off sh*t today.”

On July 29 1985, Madonna and many of the performers from Live Aid appeared on the cover of People Magazine.

Music that moved the world sixteen years after Woodstock, Rock’s best and brightest gather on two continents to set new standards of good work—and good works.

Sequestered by location, security personnel and a multilayered credential system, the stars were free to enjoy one another’s company without too much interference from fans and other mortals. Madonna, looking a bit frightened despite a phalanx of guards, clung to the hand of her intended, the surly Sean Penn. Penn spent most of the concert either inside Madonna’s trailer or gazing at a video monitor in front of trailers being used by Robert Plant and Tom Petty. Madonna later relaxed enough to drape an arm around the shoulder of Bob Dylan, no slouch himself in the surly department. Hey, the lady knows what she likes.