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The Physics Classroom » Physics Tutorial » Light and Color » Color Subtraction
Light Waves and Color - Lesson 2 - Color and Vision
We have already learned that materials contain atoms that are capable of selectively absorbing one or more frequencies of light. Consider a shirt made of a material that is capable of absorbing blue light. Such a material will absorb blue light (if blue light shines upon it) and reflect the other frequencies of the visible spectrum. What appearance will such a shirt have if illuminated with white light and how can we account for its appearance? To answer this question (and any other similar question), we will rely on our understanding of the three primary colors of light (red, green and blue) and the three secondary colors of light (magenta, yellow and cyan). To begin, consider white light to consist of the three primary colors of light - red, green and blue. If white light is shining on a shirt, then red, green and blue light is shining on the shirt. If the shirt absorbs blue light, then only red and green light will be reflected from the shirt. So while red, green and blue light shine upon the shirt, only red and green light will reflect from it. Red and green light striking your eye always gives the appearance of yellow; for this reason, the shirt will appear yellow. This discussion illustrates the process of color subtraction. In this process, the ultimate color appearance of an object is determined by beginning with a single color or mixture of colors and identifying which color or colors of light are subtracted from the original set. The process is depicted visually by diagram at the right. Furthermore, the process is depicted in terms of an equation in the space below. From these two examples, we can conclude that a shirt that looks yellow when white light shines upon it will look green when cyan light shines upon it. This confuses many See Answer Practice A: Magenta light is a mixture of red light and blue light in equal intensities. Blue light must be subtracted since it is absorbed. When subtracting blue light from red and blue light, the red remains. The shirt appears red. Practice B: Red light is a primary color. Blue light would have to be subtracted if present. Since it is not present, there is no need to worry about it. Red light is reflected and the shirt appears red. Practice C: Blue light is a primary color. Blue light must be subtracted since it is absorbed. There is no other color left to reflect to our eyes. The shirt appears black since black is the absence of reflected light. In the above examples, the paper absorbed blue light. Paper that absorbs blue light is permeated by a pigment known as a yellow pigment. While most pigments absorb more than a single frequency (and are known as compound pigments), it becomes convenient for our discussion to keep it simple by assuming that a yellow pigment absorbs a single frequency. A pigment that absorbs a single frequency is known as a pure pigment. The following rule will assist in understanding what colors of light are absorbed by which pigments. Pigments absorb light. Pure pigments absorb a single frequency or color of light. The color of light absorbed by a pigment is merely the complementary color of that pigment. Thus, pure blue pigments absorb yellow light (which can be thought of as a combination of red and green light). Pure yellow pigments absorb blue light. Pure green pigments absorb magenta light (which can be thought of as a combination of red and blue light). Pure magenta pigments absorb green light. Pure red pigments absorb cyan light (which can be thought of as a combination of blue and green light). And finally, pure cyan pigments absorb red light. Now lets combine the process of color subtraction with an understanding of complementary colors to determine the color appearance of various sheets of paper when illuminated by various lights. We will investigate three examples. Magenta light can be thought of as consisting of red light and blue light. A yellow pigment is capable of absorbing blue light. Thus, blue is subtracted from the light that shines on the paper. This leaves red light. If the paper reflects the red light, then the paper will look red. Yellow light can be thought of as consisting of red light and green light. A red pigment is capable of absorbing cyan light. That is, red paper can absorb both green and blue primary colors of light (recall that cyan light is a mixture of green and blue light). So red and green light shine on the paper; and green light is subtracted. (There is no need to subtract blue light since blue light is not shining on the paper.) This leaves red light to be reflected. If the paper reflects the red light, then the paper will look red. Yellow light can be thought of as consisting of red light and green light. A blue pigment is capable of absorbing yellow light. That is, blue paper can absorb both red and green primary colors of light (recall that yellow light is a mixture of red and green light). So red and green light shine on the paper; and both the red and the green light are subtracted. There is no color left to be reflected to the eye. Subsequently, the paper appears black.
The previous lesson focused on the principles of color addition. These principles govern the perceived color resulting from the mixing of different colors of light. Principles of color addition have important applications to color television, color computer monitors and on-stage lighting at the theaters. Each of these applications involves the mixing or addition of colors of light to produce a desired appearance. Our understanding of color perception would not be complete without an understanding of the principles of color subtraction. In this part of Lesson 2, we will learn how materials that have been permeated by specific pigments will selectively absorb specific frequencies of light in order to produce a desired appearance.
The Process of Color Subtraction
Now suppose that cyan light is shining on the same shirt - a shirt made of a material that is capable of absorbing blue light. What appearance will such a shirt have if illuminated with cyan light and how can we account for its appearance? To answer this question, the process of color subtraction will be applied once more. In this situation, we begin with only blue and green primary colors of light (recall that cyan light consists of blue and green light). From this mixture, we must subtract blue light. After the subtractive process, only green light remains. Thus, the shirt will appear green in the presence of cyan light. Observe the representation of this by the diagram at the right and the equation below.
C - B = (G + B) - B = G
students of physics, especially those who still believe that the color of a shirt is in the shirt itself. This is the misconception that was targeted earlier in Lesson 2 as we discussed how visible light interacts with matter to produce color. In that part of Lesson 2, it was emphasized that the color of an object does not reside in the object itself. Rather, the color is in the light that shines upon the object and that ultimately becomes reflected or transmitted to our eyes. Extending this conception of color to the above two scenarios, we would reason that the shirt appears yellow if there is some red and green light shining upon it. Yellow light is a combination of red and green light. A shirt appears yellow if it reflects red and green light to our eyes. In order to reflect red and green light, these two primary colors of light must be present in the incident light.
Test your understanding of these principles of color subtraction by determining the color appearance of the same shirts if illuminated with other colors of light. Be sure to begin by determining the primary color(s) of light that are incident upon the object and then subtracting the absorbed color from the incident color(s).
(R + B) - B = R
Complementary Colors and Color Subtraction
Example 1
Example 2
Example 3
Flickr Physics Photo
Filters and Color Subtraction
The above discussion applies to the appearance of opaque materials. The distinction between opaque and transparent materials was made earlier in this lesson. Opaque materials selectively absorb one or more frequencies of light and reflect what is not absorbed. In contrast to opaque materials, transparent materials selectively absorb one or more frequencies of light and transmit what is not absorbed. Like opaque materials, transparent materials are permeated by pigments that contain atoms that are capable of absorbing light with a single frequency or even a range of frequencies. Knowing the color(s) of the incident light and the color of light absorbed by the pigment or filter, the process of color subtraction can be applied to determine the color appearance of a transparent material. We will consider three examples in the space below; the examples are visually depicted in the diagrams below.
In Example A, white light (i.e., a mixture of red, green and blue) shines upon a magenta filter. Magenta absorbs its complementary color - green. Thus, green is subtracted from white light. That leaves red and blue light to be transmitted by the filter. For this reason, the filter will appear magenta (recall that magenta light is a mixture of red and blue light) when illuminated with white light. This process of color subtraction can be represented by the following equation.
In Example B, yellow light (i.e., a mixture of red and green) shines upon the same magenta filter. Magenta absorbs its complementary color - green. Thus, green is subtracted from yellow light. That leaves red light to be transmitted by the filter. For this reason, the filter will appear red when illuminated with yellow light. This process of color subtraction can be represented by the following equation.
In Example C, cyan light (i.e., a mixture of blue and green) shines upon the same magenta filter. Magenta absorbs its complementary color - green. Thus, green is subtracted from cyan light. That leaves blue light to be transmitted by the filter. For this reason, the filter will appear blue when illuminated with cyan light. This process of color subtraction can be represented by the following equation.
The reasoning modeled in the above three examples can be used in any situation, regardless of the color of the incident light and the color of the filter. As you approach such problems, whether they involve transparent or opaque materials, be sure to think in terms of primary colors of light and to use the logical reasoning steps. Avoid memorizing and avoid shortcuts. If a filter is capable of absorbing a color of light that is not present in the mixture of incident light, then merely disregard that color. Since that color of light is not incident upon the object, it cannot contribute to the color appearance of the object.
We Would Like to Suggest ...
Sometimes it isn't enough to just read about it. You have to interact with it! And that's exactly what you do when you use one of The Physics Classroom's Interactives. We would like to suggest that you combine the reading of this page with the use of our Colored FiltersInteractive. The Interactive is found in the Physics Interactives section of our website and allows a learner to explore the affect of filters of varying color upon white light and its individual R, G, and B components.
Primary Colors of Paint
A trip to the local newspaper or film developing company will reveal these same principles of color subtraction at work. The three primary colors of paint used by an artist, color printer or film developer are cyan (C), magenta (M), and yellow (Y). Artists, printers, and film developers do not deal directly with light; rather, they must apply paints or dyes to a white sheet of paper. These paints and dyes must be capable of absorbing the appropriate components of white light in order to produce the desired affect. Most artists start with a white canvas and apply paints. These paints have to subtract colors so that you might see the desired image. An artist can create any color by using varying amounts of these three primary colors of paint.
Each primary color of paint absorbs one primary color of light. The color absorbed by a primary color of paint is the complementary color of that paint. The three colors that are primary to an artist (magenta, cyan, and yellow) subtract red, green, and blue individually from an otherwise white sheet of paper. Thus,
Magenta paints absorb green light.
Cyan paints absorb red light.
Yellow paints absorb blue light.
Let's suppose that an artist wishes to use the three primary colors of paint in order to produce a picture of the colorful bird shown at the right. The bird will be painted onto white paper and viewed under white light. It is hoped that the bird will have green tail feathers, a blue lower body, a cyan upper body, a red head, a magenta eye patch, a yellow eye and middle feathers, and a black beak. How can the three primary colors of paint be used to produce such a likeness? And how can we explain the answers in terms of color subtraction?
To produce a green tail, paints must be applied to the tail region in order to absorb red and blue light and leave green to be reflected. Thus, the green tail must be painted using yellow paint (to absorb the blue) and cyan paint (to absorb the red).
To produce a blue lower body, paints must be applied to the lower body region in order to absorb red and green light, leaving blue light to be reflected. Thus, the blue lower body must be painted using magenta paint (to absorb the green) and cyan paint (to absorb the red).
To produce a red head, paints must be applied to the head region in order to absorb blue and green light, leaving red light to be reflected. Thus, the red head must be painted using magenta paint (to absorb the green) and yellow paint (to absorb the blue).
To produce a cyan upper body, paints must be applied to the upper body region in order to absorb red, leaving green and blue light to be reflected. If green and blue light are reflected from the upper body region, it will appear cyan (recall that blue and green light combine to form cyan light). Thus, the cyan upper body must be painted using merely cyan paint (to absorb the red).
To produce a magenta eye patch, paints must be applied to the eye patch region in order to absorb green, leaving red and blue light to be reflected. If red and blue light is reflected from the eye patch region, it will appear magenta (recall that blue and red light combine to form magenta light). Thus, the magenta eye patch must be painted using merely magenta paint (to absorb the green).
To produce a yellow eye and middle feathers, paints must be applied to the eye and middle feather regions in order to absorb blue, leaving red and green light to be reflected. If red and green light is reflected from the eye and middle feather regions, it will appear yellow (recall that red and green light combine to form yellow light). Thus, the yellow eye and middle feathers must be painted using merely yellow paint (to absorb the blue).
This information is summarized in the graphic below.
The process of color subtraction is a useful means of predicting the ultimate color appearance of an object if the color of the incident light and the pigments are known. By using the complementary color scheme, the colors of light that will be absorbed by a given material can be determined. These colors are subtracted from the incident light colors (if present) and the colors of reflected light (or transmitted light) can be determined. Then the color appearance of the object can be predicted.
We Would Like to Suggest ...
Sometimes it isn't enough to just read about it. You have to interact with it! And that's exactly what you do when you use one of The Physics Classroom's Interactives. We would like to suggest that you combine the reading of this page with the use of ourPainting With CMY Interactive. The Interactive is found in the Physics Interactives section of our website and allows a learner to explore the affect of varying colors of primary pigments.
Investigate!
It's probably been a long time since you had a chance to play with those old Crayola crayons. It's time to get that box out now! What color do you get when you mix two crayons from the Crayola box? Use the Phun With Crayola Crayons widget to find out. Enter the names of two crayons from the box. (Examples: tan, forest green, yellow, mauve, brown, crimson, periwinkle, and more. Then click the Mix 'Em button to find out the result.Flickr Physics Photo
Three colored spotlights - red, green and blue - illuminate a white screen. A hand is placed between the screen and the lights, thus casting overlapping shadows on the screen. From left to right, you will observe a yellow, magenta and cyan shadow. The yellow shadow is produced by the blocking of the blue light; the red and green lights converge to produce yellow. The magenta shadow is produced by the blocking of the green light; red and blue lights converge to produce magenta. And finally, the cyan shadow is produced by the blocking of the red light; blue and green light converge to produce the cyan. The colors red and blue are produced where the shadows overlap. The photo demonstrates principles of color subtraction and color addition.
We Would Like to Suggest ...
Sometimes it isn't enough to just read about it. You have to interact with it! And that's exactly what you do when you use one of The Physics Classroom's Interactives. We would like to suggest that you combine the reading of this page with the use of ourColored Shadows Interactive. The Interactive is found in the Physics Interactives section of our website and allows a learner to explore the arrangment of overlapping shadows produced when various combinations of red, green and blue spotlights are projected onto a person.
Check Your Understanding
1. Blue jeans appear blue because the jeans are permeated by a chemical dye. Explain the role of the dye. That is, what does the dye do (absorb or reflect) to the various frequencies of white light?
See Answer The dye is intended to absorb all the colors of visible light except for blue. If only blue is reflected, then the jeans are "blue" jeans.
2. A red shirt looks red when visible light ("ROYGBIV") shines upon it. Use your physics understanding to explain this phenomenon.
See Answer A red shirt contains a pigment which absorbs all the colors of visible light except for red. Since red is reflected to our eyes, the shirt looks red.
3. Express your understanding of complementary colors and the rule of color subtraction by completing the following three diagrams. White light (red-green-blue) is shown incident on a sheet of paper that is painted with a pigment that absorbs one of the primary colors of light. For each diagram, determine the color of the two reflected rays and determine the color that the paper appears.
See Answer Practice A: Green light must be subtracted from the RGB incident light. Thus, R and B are reflected; this makes the paper look magenta. Practice B: Red light must be subtracted from the RGB incident light. Thus, G and B are reflected; this makes the paper look cyan.
4. In the diagrams below, several sheets of paper are illuminated by different primary colors of light (R for red, B for blue, and G for green). Indicate what primary colors of light will be reflected and the appearance of the sheet of paper. (Note the similarity between this problem and the above problem.)
See Answer a. Begin with RGB light. White paper does not absorb any colors; subtract nothing. RGB is reflected so the paper appears white. (RGB - nothing = RGB = White) b. Begin with RG light. White paper does not absorb any colors; subtract nothing. RG is reflected so the paper appears yellow. (RG - nothing = RG = Yellow) c. Begin with GB light. White paper does not absorb any colors; subtract nothing. GB is reflected so the paper appears cyan. (GB - nothing = GB = Cyan) d. Begin with RGB light. Red paper is capable of absorbing cyan light; subtract GB. Only R is reflected so the paper appears red. (RGB - GB = B = Blue) e. Begin with RG light. Red paper is capable of absorbing cyan light; in this case, G is absorbed; B would be absorbed if it were present); subtract G. Only R is reflected so the paper appears red. (RG - G = R = Red) f. Begin with BG light. Red paper is capable of absorbing cyan light; in this case, both components of cyan - B and G - are absorbed. Subtract BG. Nothing is reflected so the paper appears black. (BG - BG = nothing = Black) g. Begin with RGB light. Yellow paper is capable of absorbing B light; subtract B. RG is reflected so the paper appears Yellow. (RGB - B = RG = Yellow) h. Begin with RG light. Yellow paper is capable of absorbing B light, but there is no B present in the incident light. Thus nothing gets absorbed; subtract nothing. RG is reflected so the paper appears Yellow. (RG - nothing = RG = Yellow) i. Begin with GB light. Yellow paper absorbs B light; subtract B. G is reflected so the paper appears Green. (GB - B = G = Green)
5. Different colored light sources shine on different colored sheets of paper. The indicated paper color represents the appearance of the paper when viewed in white light. Fill in the table below to show the color of light that reflects from the paper (i.e., the color observed).
Light | Paper | ||
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See Answer Light Paper a. Red light is incident on the paper. Yellow paper contains pigments capable of absorbing blue light (when present). In this case, blue light is not incident upon the paper so nothing gets absorbed. The red light reflects off the paper and it is observed to be red. b. Red light is incident on the paper. Magenta paper contains pigments capable of absorbing green light (when present). In this case, green light is not incident upon the paper so nothing gets absorbed. The red light reflects off the paper and it is observed to be red. c. Blue light is incident on the paper. Blue paper contains pigments capable of absorbing both red and green light (when present). In this case, neither red nor green light is incident upon the paper so nothing gets gets absorbed. The blue light reflects off the paper and it is observed to be blue. d. Blue light is incident on the paper. Cyan paper contains pigments capable of absorbing both red light (when present). In this case, red light is not incident upon the paper so nothing gets absorbed. The blue light reflects off the paper and it is observed to be blue. e. Blue light is incident on the paper. Red paper contains pigments capable of absorbing both blue and green light (when present). In this case, blue light is incident upon the paper so the blue light gets absorbed. There is no light color left to be reflected and so the paper is observed to be black. f. Red and Green light (i.e., yellow light) is incident on the paper. Red paper contains pigments capable of absorbing both blue and green light (when present). In this case, green light is incident upon the paper so the green light gets absorbed. The red light reflects off the paper and it is observed to be red. g. Red and Green light (i.e., yellow light) is incident on the paper. Blue paper contains pigments capable of absorbing both red and green light (when present). In this case, both red and green light is incident upon the paper and both light colors are absorbed. There is no light color left to be reflected and so the paper is observed to be black.a.b.c.d.e.f.g.
6. The following diagrams depict various primary colors of light (R for red, B for blue, and G for green) incident upon a colored filter (C for cyan, M for magenta, and Y for yellow). Determine which primary colors of light will pass through the filters.
See Answer a. Cyan filters absorb Red light; Blue is transmitted; blue is observed. b. Yellow filters absorb Blue light; Red is transmitted; red is observed. c. Magenta filters absorb Green light (but only when present); Red and Blue is transmitted; magenta is observed. d. Cyan filters absorb Red light; Green and Blue is transmitted; cyan is observed. e. Yellow filters absorb Blue light; Green is transmitted; green is observed. f. Magenta filters absorb Green light; nothing is transmitted; black is observed.
7. Suppose an object is permeated by a mixture of two or more paints and illuminated with white light. Fill in the table below to indicate the color appearance of the object.
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See Answer a. Start with RGB light. Cyan absorbs Red light and magenta absorbs Green light. Blue is reflected and observed. (RGB - R - G = B = Blue) b. Start with RGB light. Magenta absorbs Green light and yellow absorbs Blue light. Red is reflected and observed. (RGB - G - B = R = Red) c. Start with RGB light. Cyan absorbs Red light and yellow absorbs Blue light. Green is reflected and observed. (RGB - R - B = G = Green) d. Start with RGB light. Cyan absorbs Red light, magenta absorbs Green light and yellow absorbs Blue light. No light is reflected and black is observed. (RGB - R - G - B = 0 = Black)
8. What primary paint colors (CMY) or combination of paint colors would you use to paint the boy below? He has pink (magenta) skin, blue jeans, a yellow sweater, a black baseball cap, red sneakers and aqua-colored socks. Indicate the primary colors of paint to be used on the diagram below.
 | Skin: ______________ Jeans: ______________ Sweater: ______________ Cap: ______________ Sneakers: ______________ Socks: ______________ |
See Answer Skin: the skin will appear magenta if Green can be subtracted (i.e., absorbed) from the RGB incident light; thus apply magenta paint to the skin. Jeans: the jeans will appear blue if RG can be subtracted (i.e., absorbed) from the RGB incident light; thus apply cyan and magenta paints to the jeans. Sweater: the sweater will appear yellow if B can be subtracted (i.e., absorbed) from the RGB incident light; thus apply yellow paint to the sweater. Cap: the cap will appear black if RGB can be subtracted (i.e., absorbed) from the RGB incident light; thus apply magenta, cyan and yellow paints to the cap. Sneakers: the sneakers will appear red if GB can be subtracted (i.e., absorbed) from the RGB incident light; thus apply magenta and yellow paints to the sneakers. Socks: the socks will appear cyan if R can be subtracted (i.e., absorbed) from the RGB incident light; thus apply cyan paint to the socks.
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As an expert in physics, particularly in the field of light and color, I will provide a comprehensive overview of the concepts covered in the article "Color Subtraction." The article delves into the principles of color subtraction, which is crucial for understanding how materials interact with light to produce different colors. Let's break down the key concepts discussed in the article:
1. Color Addition:
The article begins by referencing a previous lesson on color addition, which governs the perceived color resulting from the mixing of different colors of light. Color addition principles are applied in various applications, such as color television, computer monitors, and stage lighting.
2. Color Subtraction:
The focus of the article is on the principles of color subtraction, explaining how materials permeated by specific pigments selectively absorb specific frequencies of light to produce a desired appearance. The key idea is that the ultimate color appearance of an object is determined by subtracting specific colors from the incident light.
3. Process of Color Subtraction:
The article illustrates the process of color subtraction using examples. For instance, if a material absorbs blue light when illuminated with white light, it will appear yellow because red and green light are reflected. This process is visually represented and explained through equations.
4. Complementary Colors and Color Subtraction:
The article introduces the concept of complementary colors and their relationship to color subtraction. Pure pigments, which absorb a single frequency or color of light, are discussed. The rule is established that a pigment's absorbed color is its complementary color.
5. Filters and Color Subtraction:
The discussion extends to the application of color subtraction in transparent materials using filters. The article explains how filters selectively absorb certain colors of light, allowing only specific colors to pass through.
6. Primary Colors of Paint:
The article relates the principles of color subtraction to the primary colors of paint used by artists, color printers, and film developers (cyan, magenta, and yellow). The absorption of specific colors by these paints is explained, leading to the desired color appearance.
7. Interactive Learning:
The article suggests interactive learning tools, such as the "Colored Filters Interactive" and "Painting With CMY Interactive," to enhance understanding through hands-on exploration of color subtraction principles.
8. Check Your Understanding:
The article includes exercises to test the reader's understanding of color subtraction, involving scenarios with colored light, pigments, and filters.
9. Real-world Application:
The concepts discussed in the article are applied to real-world examples, such as colored shadows and the appearance of objects under different lighting conditions.
10. Summary and Further Exploration:
The article concludes by summarizing the key concepts and encouraging further exploration through interactive tools and practical experiments.
In summary, the article provides a comprehensive and detailed exploration of color subtraction, offering a solid foundation for understanding how light interacts with materials to produce a wide range of colors.
