The Year One | Essay | The Metropolitan Museum of Art | Heilbrunn Timeline of Art History (2024)

Throughout the world different systems have been used to mark the passage of time, but it has been common for cultures to count the passing of years from a specific event in their past. For example, the ancient Greeks counted years from the first Olympic Games (which correlates to 776 B.C.), while the Romans based their calendar on the founding year of Rome (traditionally 753 B.C.). The Jewish calendar starts from their idea of when the world was created (3760 B.C.), while the Muslim calendar begins with the Hijra, the migration of the prophet Muhammad from Mecca to Medina in 622 A.D. A monk called Dionysius Exiguus (early sixth century A.D.) invented the dating system most widely used in the Western world. For Dionysius, the birth of Christ represented Year One. He believed that this occurred 753 years after the foundation of Rome. Although this is almost certainly wrong, since the Gospels state that Christ was born under Herod the Great, who died in 4 B.C., the system was adopted with years expressed as either B.C. (Before Christ) or A.D. (Anno Domini— “The Year of Our Lord”). The abbreviations BCE (before the common era) and CE (common era) are sometimes used.

A look at the art created across the world in the years around Year One of the Western calendar reveals an incredible richness and variety of cultures. It was a time of great cultural interaction, with vast areas crisscrossed by traders and adventurers who journeyed both east and west to bring back coveted goods and tantalizing scraps of information about exotic lands. Some relationships were established through the extension of Roman power under the rule of Augustus, the first Roman emperor (27 B.C.–14 A.D.). Others evolved through the overland and maritime trade routes that provided the East and West with tantalizing glimpses of each other and that also linked many Asian cultures in an unprecedented fashion. Artistic traditions and religious beliefs were exchanged along these global networks, as were luxury goods such as Roman glass, Chinese silk, and East Indian pepper.

In Europe, Celtic peoples excelled in intricate metalwork, and in Egypt a fascinating hybrid combining Greco-Roman and age-old Egyptian styles predominated. East of the Mediterranean, such wealthy centers as Palmyra, Petra, the kingdoms of southern Arabia, and the mighty Parthian empire produced a wide range of sculpture, ceramics, and precious-metal objects that served both religious and luxury purposes as well as everyday uses. Continuing eastward from Parthia to what is now Afghanistan, Pakistan, and northern India, a traveler in the Year One would have discovered the Kushan empire, where a distinctive early Buddhist art sometimes incorporated influences from Greece and Rome. In East Asia, China’s great empire under the Han dynasty was home to sophisticated arts in every medium; semi-nomadic peoples in northern China made metalwork, often to adorn the gear for their horses; and characteristic arts had begun to develop in Korea and Japan. Meanwhile, in cultures across the Pacific Ocean, people such as the Nazca in South America and the Mayan civilization in Mesoamerica were creating powerful and expressive objects made of stone, ceramic, and gold.

Citation

Department of Ancient Near Eastern Art. “The Year One.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/yron/hd_yron.htm (October 2004)

Further Reading

Milleker, Elizabeth J., ed. The Year One: Art of the Ancient World East and West. Exhibition catalogue. New York: Metropolitan Museum of Art, 2000. See on MetPublications

Additional Essays by Department of Ancient Near Eastern Art

The Year One | Essay | The Metropolitan Museum of Art | Heilbrunn Timeline of Art History (2024)

FAQs

What is the Metropolitan Museum's Heilbrunn timeline? ›

The Metropolitan Museum of Art's Heilbrunn Timeline of Art History, originally launched in 2000, presents the Met's collection via a chronological, geographical, and thematic exploration of global art history. Targeted at students and scholars of art history, it is an invaluable reference, research, and teaching tool.

How was year 1 determined? ›

A monk called Dionysius Exiguus (early sixth century A.D.) invented the dating system most widely used in the Western world. For Dionysius, the birth of Christ represented Year One. He believed that this occurred 753 years after the foundation of Rome.

What is the history of the Met in New York? ›

The Metropolitan Museum of Art was founded in 1870 by a group of American citizens – businessmen and financiers as well as leading artists and thinkers of the day – who wanted to create a museum to bring art and art education to the American people.

Who owns Met? ›

Located in Central Park, the Met's two-million-square-foot main building is owned by the city of New York, while the collections are held for the benefit of the public by the corporation's trustees.

Is art history hard? ›

Generally speaking, AP Art History is considered to be moderately challenging compared to other AP courses. In terms of workload, you should expect a significant amount of reading, as well as some memorization.

Was there a year 666? ›

Year 666 (DCLXVI) was a common year starting on Thursday (link will display the full calendar) of the Julian calendar. The denomination 666 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years.

On what date was Jesus really born? ›

The date of the birth of Jesus is not stated in the gospels or in any historical sources and the evidence is too incomplete to allow for consistent dating. However, most biblical scholars and ancient historians believe that his birth date is around 4 to 6 BC.

Was there a year 0 or year 1? ›

It had no “year zero”: 1 BC (before Christ), was followed by AD (anno Domini) 1.

What is the oldest thing in the Met museum? ›

Among the oldest items at the Met, a set of Archeulian flints from Deir el-Bahri which date from the Lower Paleolithic period (between 300,000 and 75,000 BCE), are part of the Egyptian collection. The first curator was Albert Lythgoe, who directed several Egyptian excavations for the museum.

Why is the Met so famous? ›

The Metropolitan Museum of Art is one of the world's largest and finest art museums. Its collection spans 5,000 years of world culture, from prehistory to the present and from every part of the globe.

Who is the CEO of Met? ›

Max Hollein

Prior to joining The Met, he was the Director and CEO of the Fine Arts Museums of San Francisco, where his tenure was characterized by visionary programming, pioneering acquisitions, and rigorous fiscal management.

Who controls the Met? ›

Governance. Since January 2012, the Mayor of London is responsible for the governance of the Metropolitan Police through the Mayor's Office for Policing and Crime (MOPAC). The mayor is able to appoint someone to act on his behalf.

How many floors is the Met? ›

The MET has nearly four floors full of exhibits, so you need to plan ahead to make the most of it.

What is the oldest piece in the Metropolitan Museum of Art? ›

Among the oldest items at the Met, a set of Archeulian flints from Deir el-Bahri which date from the Lower Paleolithic period (between 300,000 and 75,000 BCE), are part of the Egyptian collection. The first curator was Albert Lythgoe, who directed several Egyptian excavations for the museum.

How long would it take to see everything in the Metropolitan Museum of Art? ›

You'll probably need 3-5 hours just to see the permanent collection, so take advantage of the many resting spots – found in just about every room – which can give your feet a break and let you take in the surrounding atmosphere.

How many stories is the Metropolitan Museum of Art? ›

The MET has nearly four floors full of exhibits, so you need to plan ahead to make the most of it.

When did the Met take over the cloisters? ›

Rockefeller purchased the museum site in Washington Heights in 1930 and donated it to the Metropolitan in 1931. Upon its opening on May 10, 1938, the Cloisters was described as a collection "shown informally in a picturesque setting, which stimulates imagination and creates a receptive mood for enjoyment".

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