Early Theater
In ancient Greece plays were performed as part of special festivals. The audience sat on seats carved into the side of a hill overlooking the stage. Some ancient Greek theaters could seat as many as 20,000 people.
In Europe during the Middle Ages (ad 500–1500) plays were often related to Christianity. At first they were performed in churches. Later they were performed outdoors—on the church steps, on decorated platforms, or sometimes even in wagons.
In the 1300s a type of theater called Noh was developed in Japan. Noh plays combine words, music, and dance to portray legends. Men or boys play all the parts, including the female characters. The actors do not act out scenes. Instead they use their movements and appearance as symbols to suggest the story. A Noh play takes place on a thrust stage. The stage has four pillars topped by a curving temple roof.
The Renaissance (1300s to 1500s) was a period of great artistic creation in Europe. The large theaters built then set the pattern for today’s theaters. Grand spectacles staged in these theaters were usually for the upper classes. The common people went to see groups of traveling actors perform comic entertainment outdoors.
In the late 1500s many theaters opened in London, England. The most famous was the Globe Theater, where 
William Shakespeare staged many of his plays. The Globe had a thrust stage that extended halfway into an open courtyard. The common people stood in the courtyard. Wealthier members of the audience sat in seats. During Shakespeare’s time women did not perform in plays. The female characters were played by men or boys who dressed as women.
Modern Theater
In Japan in the 1600s a new form of drama called Kabuki appeared. It focused on singing, dancing, and mime (movement without words). Actors in a Kabuki play wear striking costumes and makeup. They use elaborate gestures to show strong emotions. Kabuki is performed on a thrust stage. A narrow, raised platform extends through the audience from the stage to the back of the theater. The actors use the platform for dancing and for important entrances and exits. A female dancer developed Kabuki. But after the 1650s only men acted in the plays.
Kabuki is related to a form of Japanese puppet theater called Bunraku. In Bunraku the performers move around large dolls to act out a drama. One of the performers chants the words of the story. Puppet theater also has a long tradition in many other countries, including Indonesia, Turkey, India, and China. In Europe puppet shows presented favorite characters in entertaining stories.
In Europe during the 1600s many theaters began to use the proscenium, or arch, stage. This is the type of stage seen in many modern theaters.
Several actors in Europe and North America in the 1700s and 1800s developed new ideas about acting. Before then actors often read their parts as if they were making a speech. The English actor David Garrick developed a more natural acting style. He delivered his lines in the spirit of the character he was playing.
In the 1800s New York City became the theatrical center of the United States, as London was in England. In the 
1900s people began performing theater in a greater variety of places. More cities and towns around the world built new theaters.
