In the Victorian era, a woman’s hair was often thought to be one of her most valuable assets. Styles varied quite a bit throughout the nearly 7 decades of Queen Victoria’s reign, with everything from simple middle parts to elaborate pieces made from human hair being in fashion. Accessories such as combs, pearls, hats and bonnets each had their time in the spotlight throughout the 1800s. Victorians weren’t as serious as people think they were, but they sure took their hair seriously. Scroll down and take a look at some of the different ways Victorian women wore their hair from the 1830s to the turn of the century.
Hair was long in the Victorian age. Extremely long. Haircuts weren’t exactly a thing yet for women.They did occasionally trim split ends, or even singe them, but long hair was viewed as being ultra-feminine and desirable.
We can find plenty of photos of women wearing their long, wavy hair down. However, loose hair wasn’t something that “respectable” women would wear in public and was mostly a style used for the sake of art. Girls often wore their hair down, but were expected to begin wearing it up around the age of 15 or 16. More often than not the women with long, cascading hair were models and actresses intended to depict intimacy and romanticism.
When it comes to long hair, nobody could top the Seven Sutherland Sisters. They became a national sensation in the 1880s because of their hair (37 feet in total), and made a living doing musical performances with their hair down. They capitalized on it even further by producing a line of hair care products, and became quite rich. When the 1920s and the bob rolled around, they began to be ridiculed as unfashionable relics of the past and lost the public’s eye.
Long hair styled in an updo was the way most women, especially upper class women, wore their hair during the 19th century. Neatness and cleanliness were important. Hairstyles also often reflected dress styles, with the entire silhouette of a woman being taken into account. To create more elaborate looks, women would use false pieces, usually made from human hair. These pieces were much easier to style and also added volume.
Women in the 1830s usually rocked a clean middle part with their hair tied back in a neat bun, braids, or twist. Occasionally they curled the sides, but bangs weren’t in fashion.
In the 1840s, women began sporting “barley curls”, long ringlets that were worn mainly by children before they came into style for adults. Chignons moved to the back of the head.
Hoop skirts took over in the 1850s, and hair expanded to match. While still parting it in the middle, many women began padding the sides, creating large wings or rolls.
Chignons began to move towards the back of the head in the 1860s, mimicking changes indress style. Huge hoops reached max fullness andwomen began wearing dresses that were full in the back, giving the silhouette more of an S-shape.
When bustles burst onto the scene in the 1870s, hair moved even higher.
Hair got a little weird in the 1880s. Pompadours appeared, sometimes accompanied by bangs. Just like the 80s of the 20th century, frizzy bangs were hot. Middle partsfell out of fashion.
Did you know that Victorian women had rats in their hair? No, not rodents. Rats (or ratts) were used to increase volume. They were usually made from the loose hair collected from a woman’s comb, which would be stuffed into a hair receiver — a small box or dish kept on the vanity table. Rats were used as padding to fluff out the sides or top of the hair, often in order to create a more balanced silhouette in which the head appeared to be approximately the same size as the waist.
The 1890s introduced ahairstyle that later became an Edwardian icon: the Gibson Girl look.
Would you wear any of these Victorian hairstyles? Let us know which one you think looks the best (or the worst) in the comments below.
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As a seasoned enthusiast and expert in historical fashion, particularly the Victorian era, I can confidently delve into the intricate details of the article about Victorian women's hairstyles. My extensive knowledge is drawn from years of studying primary sources, period photographs, and in-depth literature on Victorian fashion and culture.
The fascination with a woman's hair as a significant aspect of her identity during the Victorian era is indeed well-founded. In the 1800s, the prevailing belief that a woman's long hair symbolized femininity and desirability is not an exaggeration. The concept of haircuts for women was not widely embraced, and long, flowing hair was the epitome of elegance.
The mention of hairstyles evolving from simple middle parts to elaborate creations made from human hair aligns with the dynamic nature of Victorian fashion. Accessories such as combs, pearls, hats, and bonnets played crucial roles in accentuating these hairstyles, reflecting the attention to detail and the importance placed on personal appearance during the era.
The article correctly notes that loose hair, while often depicted in art, was not deemed suitable for "respectable" women to wear in public. This highlights the societal norms and expectations surrounding women's appearance. The transition from wearing hair down to adopting updos around the age of 15 or 16 further illustrates the evolving standards of propriety.
The Seven Sutherland Sisters, mentioned in the article, indeed became a sensation in the 1880s due to their incredibly long hair, capitalizing on their uniqueness through musical performances and a line of hair care products. The subsequent ridicule they faced during the 1920s with the advent of the bob haircut showcases the ever-changing nature of fashion and societal preferences.
The article rightly emphasizes the prevalence of updos, particularly among upper-class women, during the 19th century. The importance of neatness and cleanliness in hairstyles aligns with the broader Victorian ideals of refinement and modesty. The use of false pieces, often made from human hair, allowed for more elaborate and voluminous styles.
The chronological exploration of hairstyle trends from the 1830s to the turn of the century is well-documented. From clean middle parts with neat buns in the 1830s to the introduction of "barley curls" in the 1840s and the expansion of hair to match hoop skirts in the 1850s, the article captures the evolution of Victorian hairstyles in tandem with changes in fashion.
The mention of rats (or ratts) used in Victorian hairstyles adds a fascinating layer of detail. These were not rodents but rather padding made from loose hair to increase volume, providing insight into the creative and sometimes unconventional methods employed to achieve specific looks.
Finally, the nod to the Gibson Girl look in the 1890s, which later became an Edwardian icon, brings the narrative full circle. The article invites readers to contemplate these historical hairstyles and encourages engagement by asking for opinions on whether they would wear any of these Victorian styles.
In conclusion, this article provides a well-researched and comprehensive overview of Victorian women's hairstyles, capturing the essence of the era's fashion trends and societal norms related to personal grooming.
